Marshall McLuhan
2003年
剧情： The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurosawa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdanovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.
2002年
McLuhan's Wake
McLuhan's Wake

演员(饰 Himself (archive foo)/

导演：Kevin McMahon/
主演：Marshall McLuhan/
类型：纪录/
2000年
1978年
1977年
剧情： 艾维·辛格是个纽约的犹太人，是个神经质而又有点邋遢的喜剧演员，总是带着小知识分子的怯懦、犹疑和敏感，多年没有女友的生活反倒使他有点悠然自得。一天，他的朋友，电视导演罗伯约他去打网球，邂逅了安妮。  安妮·霍尔是个刚刚来到城市的乡下姑娘，带着对大城市的幻想一心想成为歌星。艾维被安妮的魅力倾倒，近乎疯狂地爱上了这个活泼时髦的姑娘。  很快，两个人决定同居，安妮正式搬到艾维的住处。开始的时候，两情相悦，相处十分愉快，但不久两个人就产生了裂痕。艾维到安妮家中拜访，安妮的父母显然对这个有点神经质的小个子城里人不感兴趣。  安妮开始在曼哈顿的夜总会打工唱歌，一次她成功的完成演唱后，一个歌曲作者托尼·罗西对她发生了兴趣。罗西是个色狼，垂涎于安妮的姿色和才华，花言巧语打动了安妮与他一起到好莱坞发展。安妮一直渴望明星生活，又和艾维感情发生危机，当然无法拒绝这个诱惑。  等到再见到安妮的时候，两个人的爱情都已经恍如隔世了。