Hollywood stalwart Bruce Cabot's main claim to fame, other than rescuing Fay Wray from King Kong (1933), is that he tested for the lead role of The Ringo Kid in John Ford's Western masterpiece Stagecoach (1939). John Wayne got the role and became the most durable star in Hollywood history, while Cabot (eventually) found himself a new drinking partner when the two co-starred in Angel and the Badman (1947). In the latter stages of his career, Cabot could rely on Wayne for a supporting part in one of the Duke's movies.
Born Adelaide Delgado in 1925, Spanish-American Adele Mara was a singer/dancer with Xavier Cugat and His Orchestra in Detroit by the age of 15. Cugat took the beautiful, brown-eyed brunette to New York where she was spotted by a Columbia talent scout and signed in 1942. There she played brisk leading ladies in a series of standard, uneventful "B" films including Vengeance of the West (1942) with Tex Ritter and Alias Boston Blackie (1942) starring Chester Morris.
Iron Eyes Cody was born Espera or "Oscar" DeCorti, the son of two first-generation immigrants from Italy. In 1924 he moved to California, changed his name from "DeCorti" to "Corti" to Cody, and started working as an actor, presenting himself as a Native American. He married an Indian woman, Bertha Parker, and together they adopted two Indian sons, Robert and Arthur. Iron Eyes Cody lived and worked as an Indian for all his adult life; he labored for decades to promote Native American causes, and was honored by Hollywood's Native American community in 1995 as a "non-Native" for his contribution to film.
Born in Oklahoma, Ben Johnson was a ranch hand and rodeo performer when, in 1940, Howard Hughes hired him to take a load of horses to California. He decided to stick around (the pay was good), and for some years was a stunt man, horse wrangler, and double for such stars as John Wayne, Gary Cooper and James Stewart. His break came when John Ford noticed him and gave him a part in an upcoming film, and eventually a star part in Wagon Master (1950). He left Hollywood in 1953 to return to rodeo, where he won a world roping championship, but at the end of the year he had barely cleared expenses. The movies paid better, and were less risky, so he returned to the west coast and a career that saw him in over 300 movies.
